Please suggest parts that I can cut out as it is t Essays

Please suggest parts that I can cut out as it is too long at the moment. Dulce et Decorum Est and Anthem for Doomed Youth By Sanya Dua Modern responders can gain insight into the concerns of World War 1 through an appreciation of texts written during that time. "Dulce et Decorum Est" and "Anthem for Doomed Youth", both written in 1917 by World War I veteran, Wilfred Owen typify wartime poems. His literature highlights the contextual issues of his society such as anti-war sentiment, the horrors of war and the erosion of religious faith. Owen's work ultimately allows us to gain a deeper appreciation of the brutality of war and for those who fought, lived and suffered through it. "Dulce et Decorum Est" and " Anthem for Doomed Youth" both capture the anti-war sentiment that grew as a result of the widespread death and suffering. Owen explores the futility of war by highlighting the pointlessness of deaths that occur, through the rhetorical question and simile, "What passing bells for those who die as cattle." This degrades the lives of soldier to the same level as cattle as they are being slaughtered for others gain. Personification is used in, the monstrous anger of guns' to underscore the potential for weapons to deliver horrific damage to the lives of soldiers which fuelled the worries and concerns of their families back home. Owen continues to depict the declining support for the war in "Dulce et Decorum Est" through the use of second person to address those who would encourage young men to give up their lives for their country as illustrated in "my friend, you would not tell with such high zest". The use of "my friend" is ironic and betrays his anger as h e holds these people accountable for what he and so many others has had to endure and claims that if only they were to witness the atrocities of war then they would realise the extent of the "old Lie". Thus, the ideas that Owen presents to readers in his poem act to reinforce the futility of war by highlighting the eroding support for the war that was present in the context of the 1910s. The brutal nature of World War I was one of the main reasons behind society's concern with the conflict. Owen uses "Dulce et Decorum Est" to explore the horrors of war by capturing the concerns of those involved. Owen depicts the poor physical condition of the men, "bent double, like old beggars under sacks." This simile demonstrates how dirty and unhealthy the soldiers appear. They are compared to "old beggars" which highlights how the men have been aged prematurely by their experiences. Owen also uses imagery to make comments on the terrible mental effects that the war has on the men, "drunk with fatigue". This helps convey the exhaustion that the men had to endure and throws into sharp relief the hardships and suffering of the men. Owen conveys how depressing war can be in "Anthem for doomed youth" through the use of an comparison in "but in their eyes shall shine the holy glimmers of good byes. The pallor of girls' shall be their pall." Through this he illustrates the families' reactions to the death of loved ones. The dead soldiers do not get to be honoured; all their families and friends can do is grieve at the sorrowful news. These notions of pain and suffering are shown by Owen to be the driving force behind the contextual concern with the atrocities of war. Owen explains how the burden of World War I eroded the religious faith of those fighting for their country. During a time when religion played an integral role in everyday life, "Anthem of Doomed Youth" casts doubt on the importance of faith. Owen conveys his own loss of faith by highlighting the pointless religious mourning that follows every death by using a rhetorical question, What candles may be held to speed them all?' The candles are symbolic of religious tradition and are depicted as redundant. The idea of declining religion and loss of faith is carried into many of Owen's other works including "Dulce Et Decorum Est." Here the poet employs religious imagery to

Free Essays on A Pair Of Tickets

â€Å"A Pair of Tickets† This particular literary work utilizes the theme of Chinese-American life, focusing mainly on a mother-daughter relationship where the mother is an immigrant from China and the daughter is thoroughly Americanized- yellow on the surface and white underneath. The mother tries to convey their rich history and legacy to Jing-Mei, who is almost completely ignorant of their heritage, while the daughter attempts to understand her hopelessly old-fashioned mother, who now seems to harbor a secret wisdom, who in the end, is right about everything all along. Although she is not born and raised in China, as her mother, Jing Mei Woo now has a better understanding of she and her mother’s life. When her mother tells her that she would come of a realization of her Chinese blood, she does not believe it. Living in San Francisco, she had at age fifteen, â€Å"vigorously denied that I had and Chinese whatsoever below my skin†(pg. 168). When her mother speaks of Jing Mei someday understanding where she comes from, Jing Mei as a teenager has vivid imaginations of herself somehow mutating into someone of Chinese orientation. Now she is thirty-six years old. As in real life, maturity occurs from adolescence to adulthood. Jing Mei’s mother has passed away. It isn’t until then that she finally realizes that, â€Å"I have never really known what it really means to be Chinese† (pg. 169). It is at this point that the reader begins to see that Jing Mei is becoming a dynamic character. She has waited a long time to connect with her Chinese heritage. It is only after learning that she has two half-sisters, and of her mother’s wish for them to som eday be united, that Jing-Mei is willing to visit China. Her demeanor transforms from not wanting to know of her Chinese heritage growing up, to possessing a profound interest in the matter as an adult. When they arrive in China, Jing Mei starts to feel that, â€Å"Maybe it is ... Free Essays on A Pair Of Tickets Free Essays on A Pair Of Tickets 1. â€Å"A Pair Of Tickets† 1989 2. Born in Oakland, CA 1952, author Amy Tan wrote her very first novel â€Å"The Joy Luck Club†, which went on to become a critical success and a best seller. 3. During the war in 1944, Suyuan Woo was subjected to great tragedy. With her twin infants she fled on foot from their home in Kweilin as soon as she learned the Japanese were coming to invade and capture. For many torturous days Suyuan carried her babies with the hope of reaching ChungKing where her husband was stationed. Injured, ill, and exhausted Suyuan knew her body would soon give up and die. She did not want to see her babies suffer and slowly die so she forced herself to abandon the girls, not even a year old, on a road with hope of some caring person finding them to give them the life that she felt she could not. She continued walking with death beside her until she fainted. When she woke she was in a truck driven by rescuers headed toward ChungKing. She went to her husband’s station only to learn that he had been killed two weeks earlier. She become delirious and mad. Hospitalized, she met her future husband Canning Woo. They would later movie to the United States a nd bore one daughter, Jing-Mei. Over 40-years had passed since 1944 and Suyuan was still in search of her Chinese twins. Suyuan passed away without ever knowing her twins, but her hope never died. 4. Descriptions of other character’s in â€Å"A Pair Of Tickets† are as follows:  « Auntie Lindo is an old friend of Suyuan. Auntie Lindo, Auntie Ying, Auntie An-Mei, and Suyuan were all members of The Joy Luck Club.  « Chwun Yu and Chwun Hwa are the twin daughters abandoned by their mother Suyuan in 1944.  « Canning Woo is 72-years old and Suyuan’s current husband. Together they have one daughter named Jing-Mei. Canning’s aunt Aiyi nicknamed him â€Å"Little Wild Goose† when he was a boy. In China the nickname serves as a baby milk name, which is used to discourage ghosts... Free Essays on A Pair Of Tickets â€Å"A Pair of Tickets† This particular literary work utilizes the theme of Chinese-American life, focusing mainly on a mother-daughter relationship where the mother is an immigrant from China and the daughter is thoroughly Americanized- yellow on the surface and white underneath. The mother tries to convey their rich history and legacy to Jing-Mei, who is almost completely ignorant of their heritage, while the daughter attempts to understand her hopelessly old-fashioned mother, who now seems to harbor a secret wisdom, who in the end, is right about everything all along. Although she is not born and raised in China, as her mother, Jing Mei Woo now has a better understanding of she and her mother’s life. When her mother tells her that she would come of a realization of her Chinese blood, she does not believe it. Living in San Francisco, she had at age fifteen, â€Å"vigorously denied that I had and Chinese whatsoever below my skin†(pg. 168). When her mother speaks of Jing Mei someday understanding where she comes from, Jing Mei as a teenager has vivid imaginations of herself somehow mutating into someone of Chinese orientation. Now she is thirty-six years old. As in real life, maturity occurs from adolescence to adulthood. Jing Mei’s mother has passed away. It isn’t until then that she finally realizes that, â€Å"I have never really known what it really means to be Chinese† (pg. 169). It is at this point that the reader begins to see that Jing Mei is becoming a dynamic character. She has waited a long time to connect with her Chinese heritage. It is only after learning that she has two half-sisters, and of her mother’s wish for them to so meday be united, that Jing-Mei is willing to visit China. Her demeanor transforms from not wanting to know of her Chinese heritage growing up, to possessing a profound interest in the matter as an adult. When they arrive in China, Jing Mei starts to feel that, â€Å"Maybe it is ...